An Archetypal Criticism of Samuel Taylor Coleridges KUBLA KHAN or A Vision In A Dream A sever by Anamika Deb Roy M.Phil Semester 1 favorable class 1: Research Methodology Course Supervisors : Dr. Anisur Rehman and Dr. Ameena Kazi Ansari Jamia Millia Islamia Department of English Archetypes and their signification in Literary Criticism In literary reproach the terminal figure archetype denotes the recurrent narrative design, patterns of action, part types, themes, and images which argon identifiable in a wide variety of workings of literature, as well as in allegorys, dreams, and steady social rituals. Such recurrent items are held to be the depart of principal(a) and universal forms or patterns in the human psyche, whose good embodiment in a literary work evokes a hidden response from the reader, because he shares the archetypes expressed by the author. An substantial occasion of the literary theory of archetype was the treatment of the myth by a group of comparative anthropologists at Cambridge University, particularly throng G. Frazer, whose The Golden Bough (1890-1915) identified elemental patt! erns of myth and ritual that, he claimed, recur in legends and ceremonials of diverse and far-flung cultures and religions. An still to a greater extent important antecedent was the depth psychology of Carl G. Jung (1875-1961), who employ the term archetype to what he called primordial images, the...If you want to occur a full essay, order it on our website: OrderEssay.net
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